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Working site-specifically in these bradleyy, artists delved into the concept of archive; acknowledging not only what is documented and remembered, but also what Finds local sluts for sex in bradley mills lost or yet to be uncovered. Read full project descriptions and credits for Rhubarb here. Photos courtesy of Buddies in Bad Foe Theatre and the artists. The Miols Festival Exploring the ritual of performance Inmy curation of Rhubarb revolved around the concept of ritual: This concept also recognized the ritual of performance itself, from dramaturgical structure to the way it is created and experienced by a festival audience.

In a festival that is extremely kinetic and stimulating, I sought out work that encouraged audiences to slow down, meditate, and reflect. I also sought out artists and projects that responded to the concept of ritual in unexpected and trangressive ways. Artists investigated personal rituals like marriage ceremonies and aluts rites, they revisited time spent with family. Artists also looked at the rituals we knowingly and unknowingly engage in at a societal level — artists from western Canada investigated cowboy culture, dancers played with swx spirituality of UFOs, performance Nude fitness ladies created lcal score based on on the spot 'how to' searches of the internet and activists presented a late night cabaret of political protest in response to slut shaming and sexual violence.

Leading up to the festival a group of artists and community members met regularly as a knitting circle to create large-scale pieces that knit bombed the outdoor and common spaces of Buddies in Bad Times Theatre with bright bursts of colour on the coldest of winter nights. As a special presentation, I also commissioned a performance work by Canadian broadcaster, musician, filmmaker, and actress Sook Yin Lee, who collaborated with dancer and choreographer Benjamin Kamino to create a multimedia exploration of memory and forgetting.

This notion of intimate performance was expanded this year and introduced performances in small spaces throughout the performance venue and surrounding neighbourhood. Outside of the one-to-one structure, the experiment with intimate performance continued - audiences ranging from witnessed rope bondage performances and impromptu dance works, while other small audiences sat in on a fictional support group and participated in roaming candlelit vigils around the city. The Rhubarb Festival Raw. Exploring the possibilities and limitations of the body. For my second year as Rhubarb festival director I looked to the generator and performer of work: The collection of over 40 new performance works investigated the complexities of the body in history and contemporary life, in both intimate and public settings.

Audiences were invited to experience this idea of the body one-to-one exchange and collective experience; witnessing the possibilities and limitations of our physical form. Read my Xtra Interview on Rhubarb here. The Rhubarb Festival A convergence of disciplines, artists and audience across Toronto. Artists took to the streets with overheard stories broadcast on subways and interventions performed in a major downtown intersection. International artists collaborated with local artists on ways of being and creating together. New work in the areas of theatre, dance, performance art, music and hybrid forms converged every night at Buddies in Bad Times Theatre.

This truly diverse sampling of the possibilities of performance drew record-setting audiences to the festival. The festival has a unique structure where audiences experience multiple short works in a single evening, and works play concurrently in different spaces, encouraging people to self select their viewing experience. This curatorial challenge prompted me to investigate how work changes when in conversation with other work, and to program artists who pushed opposing boundaries and interacted with their audiences and each other in unique ways. Audiences experienced text-based theatre, immersive performance, dance, film, and music in a single evening — unified by an artistic spirit of risk and exploration.

Perhaps the most significant new initiative I undertook in this first year was to introduce a series of work that engaged with the broader city of Toronto.

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If we built a new city in the sky above the current Toronto? These learning opportunities also served as a lynchpin that connected many local organizations to the festival — establishing a partner network that would be a mainstay of my time at Rhubarb. Read Anal sluts in saint-jean-baptiste interview with Finds local sluts for sex in bradley mills Toronto Star on Rhubarb here. Photos and images courtesy of Buddies in Bad Times Theatre and the artists. I expanded the learning and exchange by establishing a culture of shared development throughout the fall into the spring when the work was shared with an audience— open rehearsals, sharing of work in progress with fellow artists, and opportunities for group discussion fostered a space of dialogue and collaboration between these four projects.

Even with recent renovations that cost millions, including the refurbishment of all the luxury suites, the Bradley Center has been given a death sentence by Adam Silver, the new NBA commissioner. Miley entered the Bucks Zone. The first thing I noticed at the Miley concert besides the guy holding the door for me dressed as Robin Thicke in a Beetlejuice-inspired VMA outfit was that security was not using metal detecting wands to search us like they do at Bucks games. Inside the Bradley Center it was damn near pandemonium. In fact, when Miley comes to town, men lose most of their restrooms.

One of my Bucks buddies made the following analogy about the Bradley Center. And during the Miley concert it was all the more true. There was just so much skin! Though I have a feeling the mulleted beer vendor at The Tap House was enjoying himself guilt free. Let me break down the basic demographics: These are flamboyant preteens. But at least the inflatable bananas were affordable. The opening act, a young female Swedish duo named Icona Pop, executed a tight 30 minute set and successfully riled up the crowd. In the interim I noticed all the balloons hanging from the roof and along the floor, which made the Bradley Center look like the scene of a scandalous graduation.

Balloons And then came Miley. As expected, it was a spectacle. And for those on drugs, it was a trippy one. There was also the orgy with the midgets dressed as vibrators and a gaggle of black men.

You can imagine the mostly white female crowd lost their collective minds. The Wolf of Cultural Appropriation. Apart from her entrance, the other epic moment was when the crowd spontaneously pulled out their cell phone lights. At one point Miley held her own smartphone out to the crowd like it was Excalibur. It made me think about how many people were Finds local sluts for sex in bradley mills engaged in the moment, and how many were posting about it or otherwise distracted by their phone. We are clearly being sold rebellion. The crowd in the lobby after the show reminded me of hanging around after high school let out, and for a brief time the corner of 4th and State felt like Manhattan.

Calm down, we know who you are, no need to shout it. So how about the future of the Bradley Center? But he has heard the arena is unfit for the NBA, and like his co-workers, is fairly confident that the team will work something out and a new arena will be built. Recent visits from Bucks legends Kareem Abdul-Jabbar and Junior Bridgeman have been encouraging, with one article suggesting Bridgeman might join the ownership group as a partner. But study after study show the promised economic benefits never happen. To be fair, Larry Sanders did recently visit the rafters and gift a kid a pair of shoes.

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